Johannes Itten
Biography
Itten was one of the first masters Gropius appointed at Bauhaus in 1919, developing the famous preliminary course (Vorkurs) that became fundamental to Bauhaus pedagogy. His mystical approach incorporating Zoroastrianism and Mazdaznan teachings emphasized spiritual development alongside artistic training. Teaching until 1923, he established color theory foundations and material studies. His departure marked shift from expressionistic crafts toward functionalism under Moholy-Nagy. His pedagogical innovations influenced art education worldwide.
Notable Works & Achievements
Preliminary course curriculum
Color sphere theory
The Art of Color
Seven color contrasts theory
Farbkreis (Color Wheel)
Seasonal color analysis foundation
Bauhaus Vorkurs methodology
Connected Places in Weimar
Geschwister-Scholl-Straße 8, 99423 Weimar
Taught preliminary course at original Bauhaus (1919-1923)
Evidence: Course development records and teaching documentation
Historical Context
Original Bauhaus master (1919-1923), developed the fundamental preliminary course
Historical evidence: Bauhaus appointment records and course documentation
Weimar was the cradle of the Bauhaus, the revolutionary school of modern art, design, and architecture. In the aftermath of World War I, architect Walter Gropius merged the existing Grand-Ducal Saxon Art School and Arts and Crafts School to found the Staatliches Bauhaus in Weimar in 1919. Gropius's Bauhaus brought together painters, designers, and craftsmen with the radical aim of uniting fine arts with functional design. During its Weimar years (1919–1925), the Bauhaus faculty included celebrated figures such as Paul Klee, Wassily Kandinsky, Lyonel Feininger, and Johannes Itten, who pioneered a curriculum blending avant-garde art theory with hands-on workshops. Students and masters collaborated on innovative works ranging from ceramics and furniture to graphic design and architecture. Notable projects of this era include the Haus am Horn (a model modern house built for the 1923 Bauhaus Exhibition in Weimar), which demonstrated the Bauhaus principles of form following function. Despite its creativity, the Bauhaus faced political hostility from conservative factions in Thuringia. Funding was cut after 1924 amid right-wing pressure. In 1925 the Bauhaus moved to Dessau, ending the Weimar chapter. Though brief, the Weimar period of the Bauhaus fundamentally influenced 20th-century art and design, making Weimar a pilgrimage site for modernist heritage (now part of a UNESCO World Heritage Site).
Read more about this period →Quick Facts
1888
1967
Swiss