Lucas Cranach the Elder

Also known as: Lucas Cranach der Ältere

14721553
German
painterprintmaker

Biography

A renowned German Renaissance painter and printmaker, Lucas Cranach the Elder served as court artist to the Saxon electors and left a legacy that ties directly to Weimar's Reformation heritage. In 1552, as an elderly man, Cranach followed the exiled Duke Johann Frederick I to Weimar and spent his final months here, dying in Weimar in 1553. During his career, Cranach was a close friend of Martin Luther and painted many portraits of Reformation leaders. His connection to Weimar is immortalized in the City Church (Herder Church), which houses the Cranach Altar – a triptych altarpiece begun by Lucas Cranach the Elder and finished by his son in 1555, depicting the Crucifixion with portraits of Luther. This masterpiece, installed over the Weimar altar, reflects Cranach's intertwining of art and Protestant faith. Beyond that, Cranach's late presence in Weimar and burial here symbolically link the city to the wider currents of the Reformation. His artistic style – characterized by expressive figures and vivid biblical scenes – influenced German art for generations. Today, Cranach is celebrated in Weimar as part of its cultural ancestry, with his paintings on display in the Schlossmuseum and his altarpiece revered as a city treasure.

Notable Works & Achievements

Cranach Altarpiece (Weimar)

Portraits of Martin Luther

Venus and Cupid series

Rest of the Virgin during the Flight into Egypt

Hercules Relieving Atlas

Lucretia (over 60 versions)

Woodcuts for Luther's German Bible

Connected Places in Weimar

Herderplatz 8, 99423 Weimar

Painted the 1555 altarpiece in this church (with his workshop); buried in the church after dying in Weimar

Evidence: Cranach's altar (1555) is installed in St. Peter und Paul (Herder Church)

Historical Context

Spent final year of life in Weimar; created Reformation-era art (Cranach Altar) for Weimar's church

Historical evidence: Weimar city church altarpiece by Cranach (1555)

The Protestant Reformation reshaped Weimar from the 16th century onward. Lutheranism was introduced in 1525, with reformer Martin Luther himself visiting Weimar multiple times. After the Ernestine Wettin Duke Johann Frederick I ("the Magnanimous") was defeated in 1547, he made Weimar the capital of his diminished territories upon returning from captivity in 1552. Weimar then remained the ducal residence of Saxe-Weimar for centuries. Under ducal patronage, the city saw a renaissance bloom: new palaces and gardens were built, including the early phases of the City Castle (Schloss) and the addition of Renaissance-era noble houses around the Market Square. The 17th century brought hardships (e.g. the Thirty Years' War) that caused economic decline, yet Weimar slowly recovered as an absolutist court in the early 1700s. Notably, from 1708 to 1717 Johann Sebastian Bach worked in Weimar as court organist, composing many pieces. Duchess Anna Amalia's regency (1758–1775) fostered the Enlightenment in Weimar, inviting poets and building the Duchess Anna Amalia Library (est. 1766). By the late 18th century, Weimar was poised for a cultural golden age. This era of religious change and ducal consolidation laid the foundation for Weimar's emergence as a center of German intellectual life.

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Quick Facts

Born:

1472

Died:

1553

Nationality:

German

Primary Roles:
painterprintmaker