Seelenlandschaften

Prokofiev put the slow movement last in his First Quartet, so the piece finishes by going inward instead of out. Tchaikovsky wrote his Third in memory of a violinist he had worked with, and its elegy is the movement everything else in the piece leans towards. The house's title for the pairing, Landscapes of the Soul, suits it exactly. Musicians of the Staatskapelle, in the foyer.